Posts tagged Crisis on Infinite Earths
I read comic books… I have been reading comic books regularly for over 24 years now. When I say ‘regularly’, I mean I have not had a real long hiatus. Even after the hiatus, I would get back on the horse and pick up all those lovely back issues that I missed. I was truly an after market dream for the local comic shop (LCS). I grew up with comics in the 80′s with the start of the MEGA-OMG-HUGE Crossover events. Crisis on Infinite Earths was where I began my ‘regular’ comic buying, but later I made my parents stop at every major comic store in Virginia and Washington, DC during a family trip. I had my copy of Uncanny X-men with its “Mutant Massacre” map so I knew exactly what issues of Uncanny X-men, X-Factor, New Mutants and even Mighty Thor that I needed to pick-up to follow the storyline. I kept all of my comics in nice bags ‘n boards, shoved in long boxes, cataloged and alphabetized. These boxes served as game console storage, night stands, TV trays, they took up the 2nd most cubic footage in my living area (the most being reserved for the JACO Tape Library, but that is for a different blog entry). This was all fine, until I had to move… and that signaled the end of my ‘comic collection’. I took all but one short box to Coliseum of Comics and unloaded it. Since that moment, I have treated my comics like magazines: bought, read, then thrown/given away.
Green Lantern: Rebirth – Green Lantern: Rebirth 1-6 – Collected in TPB and upcoming Absolute Edition - In the sorrow that was comics in the 90′s, the DC editorial staff made another one of their incredibility awful decisions that plagued the decade. They believed that the Silver Age iconic character Green Lantern (Hal Jordan) had become too old and boring. He was not ‘hip’ or ‘contemporary’ enough for the comic book readers that were reading drivel such as Youngblood and Uncanny X-men. The powers that be at DC Comics ordered Hal Jordan’s fall and the creation of a new, younger Green Lantern. This whole story is chronicled in Emerald Twilight. I would suggest that particular story but the foundation on which it was based is so faulty, it cannot stand on its own. In 2004 comic writer Geoff Johns was tasked to return Hal Jordan to the land of the living (Jordan had sacrificed himself to save the Earth in the not-so-epic event Final Night) and try to explain the haphazard story telling that Jordan had been the victim of during the late 80′s and early 90′s. What we get was 6 issues of greatness. Johns explains the fall of Jordan, the stupid gray sideburns Jordan was sporting in Justice League, why the Green Lantern rings had a lame weakness to the color yellow AND sets up the epic event Blackest Night. Green Lantern: Rebirth holds its own as an independent story as well as a cornerstone in the Green Lantern mythos.
Batman: A Death in the Family and A Lonely Place of Dying – Batman #426-429, #440-442, The New Titans #60-61 -Collected in DC Classics Library: A Death in the Family and Batman: A Lonely Place of Dying TPB - Even though these are two separate stories nearly 3 years apart, they are so interconnected it would be hard to talk about one without bringing up the other in context. After the continuity reboot following Crisis on Infinite Earths, DC editorial staff made another one of their typically awful decisions and made Jason Todd (the current Robin, since Dick Grayson had graduated on to become Nightwing) into a ‘street wise’ kid with a criminal past. The new origin of Jason Todd had Batman catching him trying to steal the tires off the Batmobile. Over the next two years the Batman writing team would transform Jason Todd into the most whiny, over-dramatic sidekick since Bucky. The Death in the Family storyline encompasses Jason’s attempt to find his real mother, how Batman deals with international politics, the limitations of staying within the boundaries of international law and the death of his son at the hands of a villain that many thought Batman should have killed himself years ago. Unlike Dick Grayson, Bruce Wayne had actually legally adopted Jason Todd which added a new depth to the character of Bruce Wayne. The shameless promotional stunt of this story was following the explosive cliffhanger – DC had two 900 numbers to call (@ .50 a pop). One was for Jason to live, the other for Jason to die. Well, the cover of the TPB can tell you the result. The story telling reasons that Jason Todd was created to replace Dick Grayson quickly became evident again. Soon a new Robin would come to the forefront. This time the Robin replacement would be brought into the fold through positive circumstances and the assistance of Nightwing (the original Robin). A Lonely Place of Dying brings full circle the need for a Robin to center Batman while also resolving a number of the long standing issues between Bruce and Dick. Tim Drake became a much more solid Robin with a stronger foundation. His character became so popular that Tim was spun off in his own mini-series and then solo series many years before Dick Grayson would be featured in a Nightwing solo book.
Marvels – Marvels #1-4 – Collected TPB and Hardcover (out of print) - I am not a big fan of Alex Ross. He has come to think of himself as more important than the works that made him so popular. That being said, Marvels is still just an outright beautiful book. Unlike other ‘superhero’ comics, Marvels takes the most important stories told in the Marvel universe from the common man’s perspective. Not only is this a great story, it also gives you all the basic in’s and out’s of the Marvel universe in a single volume. A definite primer for anyone that is starting out with the cast of characters.
Kingdom Come – Kingdom Come #1-4 – Collected in TPB and Absolute Edition - Kingdom Come is the ultimate “What if…?” story. Taking place in the future year 200X, Superman has turned his back on the world that has become more violent and sadistic. Where the ‘heroes’ are packing guns and making war with each other because there are no villains to fight any longer. Kingdom Come takes the 90′s comic book hero fiasco to the final level. Kingdom Come takes some basic ideas of crime, rehabilitation and freewill and places them in the hands of the super powered. The ongoing disagreements between Bruce and Clark continue here. Bruce believes that mankind should be left to its own devices, while Clark, ever the Boy Scout, decides he is going to make the world a better place, whether they like it or not. Written by comic book great Mark Waid and ‘illustrated’ by Alex Ross (see the above Marvels write-up about my opinions on Ross), the book is filled with Easter Eggs and homages that will stump even the biggest of fanboys. The collected editions include panels left out of the original storyline and the Absolute Edition includes background information and character sketches for some of the background characters such as King Marvel and the Pepper Brigade. If you are given the choice, I would drop the cash on the Absolute Edition. The artwork is stunning and it truly captures the epic feel of the entire story.
God Loves, Man Kills – Marvel Graphic Novel #5 – Reprinted in Hardcover - This was the first X-men story I had ever read. It was actually in the library of a friend of mine at the time. When I read this story, I was a very young and its social undertones were lost on me. I had no point of reference to understand the issues that Claremont was portraying. Later, I would obtain a first printing from Coliseum of Comics as my first ‘back issue’ purchase. When I read it the second time, I had a great epiphany. Claremont tells a morality tale of intolerance and bigotry. How faith-based organizations can be twisted and made into instruments of hate. Though many of the X-men films had story elements that were based off of elements from this story, none of them grasp the subtle items that make this story great as both a “Superhero” story and life lesson. The image of a young boy hanging lifeless from a swing set with a sign labeled ‘MUTIE’ still sits with me to this day.
DC: The New Frontier – DC: The New Frontier #1-6 – Collected in TPB Vols #1,2 and Absolute Edition (Out of Print) - Darwyn Cooke’s story focuses on the three characters that defined the Silver Age of comics: The Flash, Green Lantern and The Martian Manhunter. While Superman, Batman and Wonder Woman all appear, they are very much in the background as supporting characters. One of the story’s qualities is the fine line it follows between being continuity heavy and shirking the bonds of the same history. Cooke brings story elements such as “The Losers“, King Faraday and Dinosaur Island into the tale. All of these are nods to the Silver Age of DC Comics, but explaining each enough that new readers will not be completely lost. This story was popular enough to be adapted into one of the Warner Bros. Premier Direct-to-Video releases in Justice League: The New Frontier. Even though it is a very condensed telling of the story, the film is as faithful as possible for the medium. I have to say that DC: The New Frontier is one of the few Absolute Editions I purchased sight unseen, just based off of the buzz I had heard in regards to the original story. Cooke’s artwork captures the feel of the 50′s while truly popping off the page. The enlarged Absolute Edition is THE way to read this story, if you can get your hands on a copy!
This list in not a comprehensive list of stories that I have given the “Doesn’t Suck” seal of approval. If I covered them all here, then I would have nothing to write about later, though here is a thumbnail list of a few others you should check out:
Last night I saw Watchmen…
But before I go to deep into this discussion, let me put a few things into perspective. In 1986, I was a very young comic book reader. I had then decided to keep up with DC Comics as a resource for the DC Comics RPG produced by Mayfair Games earlier that year. One of the greatest comic stories of all time, Crisis on Infinite Earths, was wrapping up, but the repercussions of the universe-spanning event were still not felt within the DCU. During this time period a new ‘Maxi-Series’ (what DC was calling anything larger than 6 issues, but still having a pre-defined finite number of issues) was being saturated in the Direct Sales Box (where the UPC normally would be). “Who Watches the Watchman” was in the lower left hand corner of nearly every DC Comic being published. So when issue #1 came out, I naturally picked it up. I wish I could say it was a life altering experience, but it was not… I was much too young to realize what I was reading, and it wouldn’t be until a re-read in 1995 that I realized what Alan Moore had created.
Since Superman in 1979, there have been many Book/Comic Book/Animation adaptations. Some done extremely well, like Superman, while others have been extremely lackluster, like Howard the Duck. Alan Moore has been the victim of truly awful movie adaptations of his works. Watching League of Extraordinary Gentlemen was much like watching Sean Connery read the phonebook (though I find the series to be quite boring as well). Sometimes a faithful adaptation does not equal success. Last year’s Speed Racer was a magnificent adaptation of the series. It captured all the wonder, excitement and visuals of the original with the ramped up pacing and action for the new millennium. The problem: it was a terrible movie on its own and only truly played to enthusiasts of the original. The other end of the argument can be true as well. Another Alan Moore work, V for Vendetta, was adapted for the screen. While not as much a faithful translation, the film itself moves better and tells a more concise story with superior dramatic flow for its chosen medium. Mr. Moore has been quite outspoken on his displeasure with both V and LXG, but Mr. Moore has grown to be an anachronism with passing time. He has become more of the angry hermit, growing increasingly out-of-step with modern entertainment and business practices.
Watchmen falls within a very in between place; it stays very true to its comic book storytelling roots, while still being topical and adjusting to current entertainment tastes. Actually, I should be more particular, and state that Watchmen adheres to the spirit of its original work. I do not know any other way the story could have been told within three hours. Minor items were removed (to be discussed later), while others were added to give it a message that could be felt now (the addition of the ‘energy problem’).
Origin and near-origin flashbacks within the film were done well, and I was extremely impressed with the history of the world being told within a montage of images during the opening credits. I have always been a critic of entire films being dedicated to “origin” stories (i.e. Spider-Man, Batman Begins, Fantastic Four). One of the things I truly loved about Speed Racer was that we get the entire origin of Racer X in a 30 second montage of events. In those 30 seconds I received every bit of knowledge I needed on where Racer X came from, why he does what he does, and where he was headed. SIMPLICITY!!! The opening credits of Watchmen set the tone and give all the major back story needed for the viewers to enter the slightly skewed world of the film. The only origin that truly needed to be told in detail was Dr. Manhattan’s, just as explanation for later events in the film. Origin and back story as part of the storytelling is so much more superior than derailing the narrative or dedicating an entire film. Nothing is more annoying than going to a superhero ‘origin’ movie and only seeing our hero in costume/with powers/etc in only the third act. Talk about a waste of time, money and film.
The major change within the story was the film’s ending. Though keeping with the spirit of the original work’s conclusion, it did leave a slightly bitter taste. It seemed very derivative of The Dark Knight’s ending, which was the only thing I could focus on at the time. My chief issue with the film is probably a minor plot point to anyone else that has read the ‘graphic novel’. Within the pages of Issue #2, we see a flashback to the “Crimebusters” (the “Watchmen” in the film). Captain Metropolis is attempting to get the team together, and the Comedian sets fire to the map (just as he does in the film) and the meeting subsequently breaks down with each leaving… except Captain Metropolis and one other. As they leave Captain Metropolis pleads, “Somebody has to save the world, don’t you see?” Gibbons moves focus in this panel to the only other person in the room. It can be clearly seen that a decision has been made, and events are set in motion. Yes, it’,s only one ‘minor’ change, but in my mind it removes a major story element in regards to ‘why’.
As a whole Watchmen does exactly what a film should do – it entertains. Luckily it does so while holding true to its roots. It could have diverged more and become more ‘appealing’ to the masses, or it could have much truer to the original work, lasting 5 ½ hours and being completely lost on anyone that was born after 1980. It walks a tight rope between two skyscrapers, with a 75 mph cross wind… successfully. I enjoyed the film, even with the issues I had with it. I will be seeing it a second time (though specifically to see it in IMAX) and do not expect to have a different opinion. I do plan on reading my Absolute Edition in the near future and maybe even blocking out enough time to watch the motion comic in its entirety. So I might be premature in declaring my solidified opinion. It took me three viewings of the Phantom Menace to realize the drivel it was.
Now comes the wait for 5/8/09… and the train wreck that will be Abrams Trek… or Star Abrams… not sure what label of disgust I will be slapping on it.